The Studio
It all begins with an idea.
My studio is where the magic happens — the place where I bring my designs to life, turning sketches into finished pieces. It’s a space that constantly inspires me to explore, create, and refine my craft. Surrounded by light, texture, and the quiet rhythm of making, my studio has become more than just a workspace; it’s a reflection of my creative energy and the heart of my artistic process.
Located at 158 Sterling Road in the Auto Building — home to Toronto’s Museum of Contemporary Art — the studio sits at the heart of one of the city’s most vibrant creative communities. Surrounded by fellow artists, specialty craft studios, and contemporary art spaces, it offers an environment rich in inspiration and collaboration. I believe that our surroundings shape the way we create, and being immersed in such a dynamic and diverse setting continually motivates me to pursue new ideas and push forward with my creative projects and artistic growth.
My Inspiration
It all begins with an idea.
Isamu Noguchi
Isamu Noguchi stands as one of the most influential figures in contemporary art, design, and architecture. His innovative creations and the museum dedicated to his work have significantly shaped my understanding of design principles and their emotional resonance. Noguchi’s lifelong dedication to his craft established a legacy that continues to inspire designers and artists today.
Roth Azulik
Roth Azulik is a self-taught architect and the founder of Azulik, a luxury eco-resort in Tulum, Mexico. His work extends beyond hospitality projects like resorts and restaurants to include art museums, retail spaces, and wellness centers. Through his out of this world designs, Azulik aims to harmonize people with nature and create immersive, holistic experiences that engage all the senses.
Nayra Iglesias
Nayra Iglesias is a Spain-based architectural designer and the founder of In Out Studio, a firm specializing in architecture and interior design. Her creative approach is guided by sensuality, emphasizing the interplay of texture, scent, light, and sound to create immersive spatial experiences. Iglesias’s designs engage the senses, transforming spaces into environments that feel warm and as captivating as they look.
Design Process
It all begins with an idea.
Sketching
Every design begins with an idea. Inspiration can strike anywhere — sometimes from a moment of observation, sometimes out of nowhere — which is why I always keep a sketchbook close at hand. It’s where I capture those first sparks of creativity and begin to shape them into something tangible. Sketching allows me to visualize and refine each project, documenting not just how it looks, but how it feels. I pay close attention to every detail — from form and texture to color and even the subtle sensory elements that give a design its unique character.
To Illustrate my design process, I will show how I create my ceramic vessels from start to finish.
Prototype: Model
Once a design is finalized through sketches, I move on to creating a scaled prototype — typically at a 1:5 ratio — to explore how the piece will look and feel in physical form. This stage allows me to study proportions, textures, and the overall presence of the design before committing to its full scale. While furniture designers often work with materials like cardstock, 3D prints, or other flexible mediums, I prefer to use smaller pieces of clay to model my vessels. This hands-on process helps me better understand the relationship between form and function, and how each curve or surface detail contributes to the final piece.
Creation Process
Once I’m satisfied with the prototype, I begin the process of throwing or hand-building the vessel. The practice and insights gained from creating the miniature model give me the confidence to approach the full piece with greater precision and intention. Each stage becomes both a continuation of the design process and an opportunity to refine my technique.
Ceramics is an art form that requires patience and rhythm. From the initial design to forming the piece, allowing it to dry completely, then bisque firing, glazing, and glaze firing — every step demands time, care, and attention. It’s a slow but rewarding process that reveals the beauty of craftsmanship through dedication and practice.
Finished Product
Once the product
Materials
It all begins with an idea.
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